Das Rheingold Rheingold last Thursday, in the rare moments where I could catch my breath thinking about something else. Lepage’s staging is busy things are happening every minute, mobile and lights when not complicated between the characters. The singers are also required to embark, emoting, slide, do magic tricks. The intense heat of the wicked people (who are not individuals at all, but archetypal figures) arises, as if this were true, written by Clifford Odets drama generations too narrow in some apartments in New York, growling and reluctantly and piracy to the next.
Firstly, no singer could slip on the steep slope of the scene in a credible imitation body surfing the flow of air, then will sing as Freia, Froh and Donner take stage 2. Then at the end of phase 4, we (the public), which seems suspended in the air at the Rainbow Bridge, a multi-spectrum light show rolling, until the gods (but his double, just as Fricka approximately one third larger than Stephanie Blythe) go slowly, held up by guy wires. Do you understand? We are perpendicular to the stage action that defies gravity.
Another WSJ article on the opera said central unit weighed 45 tons and the aluminum plate 24 can move independently, and everything could go up and down in a forward rotation and propeller of the tug and back.I wonder how $ 16 million was the cost of software programming required.According The New York Times and the Telegraph of London, the performance was well received (Los Angeles Timesreported a few boos and whistles, no embargo), but a computer problem interrupted the final scene.
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